How Climate Change Is Affecting the Plants Indian Dyers Rely On

How Climate Change Is Affecting the Plants Indian Dyers Rely On

Surbhi Chadha

Every colour in a natural dye vat has to survive long before it reaches the vat. Indigo needs a stretch of steady heat to grow enough leaves. Madder needs two or three undisturbed years underground.

Marigold has to bloom exactly when the festival calendar says it should. And lac, the resin behind everything from bangles to brass inlay, needs an insect to survive a narrow band of weather while it sits still on a branch.

This is already happening. Monsoons are arriving late, dumping too much rain at once, then disappearing again. Summers are hitting temperatures these plants and insects were never built for.

Most sustainable fashion writing stays fixed on fabric and finishing, but the real disruption is happening several steps earlier, in the fields and forests where the colour starts.

The Plants And Insects Behind India's Natural Colour

Start with what goes into a dye vat, because most of it never sees a factory. A handful of plants and one insect supply most of the colour behind India's handloom and block printed textiles.

Indigo, madder and marigold each need specific conditions

Indigo is deceptively resilient. It fixes nitrogen, tolerates poor soil, and has earned a reputation among researchers as a genuinely regenerative crop.

That resilience only goes so far. The plant still needs a solid run of warm, wet weeks to grow enough leaves to make harvesting worthwhile.

Madder plays a longer game. Its roots spend two to three years building up colour underground before anyone can use them. That means a single bad season cannot be shrugged off the way it can with a faster crop.

Marigold is the opposite story, quick to grow and forgiving of rough conditions. But it still has to flower on cue for Diwali and Dussehra, and a late monsoon throws that timing off completely.

Lac comes from an insect that lives on the tree

Image: Britanica.com

Lac breaks the usual plant dye assumption. The colour does not come from the tree itself, but from a tiny insect, Kerria lacca, that lives on host trees like palash, kusum and ber and secretes the resin dyers use.

That insect has almost no tolerance for extremes. A hot spell or an unseasonal downpour while it sits still on the branch can wipe out an entire batch, long before anyone gets near a dye pot.

Lac Production Is Already Losing Ground To The Weather

Ask a lac farmer in central India how the last few seasons have gone, and gamble is the word that comes up.

Heat is killing lac insects before they can produce resin

In Chichrangpur village, a pilot lac programme covered by Earth Focus lost its entire insect population to a heatwave that hit in the days around Holi. The insects did not last a month on the trees before the heat wiped them out.

Researchers tracking cases like this point to a familiar mix of causes: rising temperatures, heavy pesticide use, and growing the same crop season after season without a break.

Further west, in Jharkhand's Khunti district, one rangeeni lac farmer told Down To Earth that thick fog and mist last winter cost him half his crop, taking his two farming partners down with him.

Host trees are shifting out of reach

It is not only the insect at risk. Butea monosperma, one of lac's key host trees, is projected to lose 9 -13% of its suitable habitat by 2050.

Its range is sliding east and south, and all but vanishing from the north and west. Farmers are already testing alternative hosts that grow faster and take up less land than a full sized palash or ber tree.

Whether those substitutes hold up over a complete cycle, rather than one good season, is still an open question.

Erratic Monsoons Are Making Dye Farming A Gamble

Rainfall in India is not disappearing so much as it is becoming unreliable, and unreliable is arguably worse for a farmer trying to plan a season.

Some regions are getting wetter, not drier

Data from the Council on Energy, Environment and Water tells a more complicated story than simply less rain. Some historically dry pockets of Rajasthan, Gujarat and central Maharashtra saw 10-30% more monsoon rain between 2012 and 2022 than in the three decades before.

Meanwhile, around 11 per cent of India's local regions, concentrated in the Indo-Gangetic plains and the Himalayan belt, saw rainfall drop by more than 10 per cent over the same stretch.

Even neighbouring patches of land are behaving differently, which leaves dye farmers with no single script to plan around.

Delayed and inconsistent rain disrupts sowing calendars

Rajasthan, home to much of India's indigo and madder growing belt, illustrates the problem well.

This year's kharif sowing is running 20 -25% behind last year's pace after a slow start to the rains, and farmers are holding off on planting until the rain shows up. Every week of delay pushes the entire dye crop calendar further from where it used to sit.

What This Means For Natural Dyeing And Regenerative Agriculture

Natural dyeing is adapting, not disappearing, and much of that adaptation already looks like regenerative farming.

Farmers are testing new hosts and crop combinations

Swapping in hardier lac hosts is one piece of that adaptation. Diversifying into lower water crops alongside traditional dye plants is another.

Hemp is showing up more often in that mix too, needing less water and fewer chemicals than cotton while pairing naturally with plant based dyeing, which is feeding renewed demand for sustainable hemp clothing.

Nothing here replaces indigo, madder or lac. It just means one bad season does not have to mean a bad year for the whole household.

What this means for organic and sustainable clothing fabrics

For organic fashion built on natural dyes, the farm and the finished product are no longer separate stories.

A bad monsoon or an early heatwave can change how much colour is available, how consistent it looks, and what it costs. That volatility is now part of what organic sustainable clothing and naturally dyed sustainable clothing fabrics involve, not a defect in the craft.

TuDuGu's Place In This Story

TuDuGu connects the artisans and dye farmers behind these traditions straight to the people who wear what they make. That connection will not change the weather.

What it does is make sure the people carrying the earliest and heaviest cost of a shifting monsoon are named and known, rather than buried somewhere in a long, anonymous supply chain.

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